Whats the last record you bought?

a few new things arrived in the mail. as usual.

this might have been recommended on here, probably by @TheSlowMusicMovement - frankly i don’t even remember ordering it, but damn there it was, right on my front doorstep. and i’m pleased.

another one that was probably recommended by james - much more of a modern classical “score” as it were. i like it.

i was reading the optimo interview and realized that this one had passed me by. well lucky for me, it’s cheap as can be here in the US, so i bought a rather minty copy for next to nothin’.

and since i was buying a cheapie from dude, i thought i’d try and make it worth his while and buy something else sight unseen out of his pile. i settled on this because it’s on bastard jazz, and there were a few years in the early 90’s where i paid my bills playing hip hop-influenced downtempo in hotel lounges and at corporate cocktail hours and i might have been on the bastard jazz/fort knox five mailing lists there for a minute. so far it’s a little noodly as far as MPC beat workouts go, but it’s not bad for what i paid for it.

https://youtu.be/VSpNJrppImg

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Result!

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This is a great record !!
Really inspired to write music after listening. Great point in time - interessting mix of techno/ebm/new beat love it. Dark Entries still on form

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https://www.discogs.com/release/2235904-Hmaoui-Abd-El-Hamid-La-Flûte-Orientale

So Balearic it hurts.

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Is the Marvin good? Wondering how it differs from the album cuts. The samples online aren’t really helpful.

Here you go dude. I want to be where you are is strung out to 6 mins and really lets the groove build nicely. I want you is instrumental, different to the main instrumental as it doesn’t have the solo horns int he intro and brings the backing vocal in for the last minute or so. The pressing sounds great to my ears though my set up is pretty basic.

https://youtu.be/vo2QSW8gFgA
https://youtu.be/4MDWMOrA9sM

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Please forgive a copy-and-paste from the “other” forum.

I confess to a bit of CD indulgence.

Let’s see, 4 Rough Guides, Madagascar, Kenya, Kenya & Tanzania, and the second edition of Mali. Not like I don’t have much of this material already, but I do appreciate a good compilation. And Rough Guides are slowly disappearing from the sensibly priced marketplace. That’s my excuse anyway.

Then there’s a little streak of compilation titles from the Sheer label’s “Tales Of” series, African Guitar Kings, Zimbabwe, and Tsotsi Beat. I have a small obsession with that series.

Listening to one of Joe Strummer’s London Calling radio shows convinced me I needed some Monkey Mafia, specifically the Adrian Sherwood versions of “Long As I Can See The Light.” And then ‘cos the extra postage from the seller wasn’t much I topped up with CDs of two things I already have on vinyl, The Woodshed’s “Devil’s Jukebox” (how can one resist that title?) and Galliano : 4 (a long way from their best, but what’s a completist to do?) and then ‘cos it was there, a collection of The Woodshed’s 12”, “Highbury Fields Forever - Collected Tales.”

And I found a cheapo copy of Monkey Mafia’s CD “Shoot The Boss,” so I was in for that also.

True obsession struck when I saw a sealed copy of “Jungle Dub” from Bob Marley on eBay and the seller cut the price! Yeah, I have every track already but it’s well sequenced.

I didn’t expect this order to go through, but Amazon kicked up a Japanese CD of another Bob Marley collection, ‘Welcome To Dubrock.” Newly split into two vinyl releases at pretty astronomical prices, but the CD was, well, moderate. Still on its way.

Also on the way from Dusty Groove are the new rererererelease from Doctor Bird of “Dubbing With The Observer,” vintage King Tubby dubs, Niney productions, extra tracks, etc. but I think I have three vinyl copies of the original album plus a CD set, so I thought I’d better get some genuine music of today from Bokani Dyer with “Radio Sechaba” and Sunborn’s new self-titled release after their string of releases as The KutiMangoes.

The last two are just to prove (to myself if no one else) that I’m not a complete dinosaur!

End of the month sees new releases from African Head Charge, “Yebo!,” a South African collection from John Armstrong (a favourite compiler of mine) on BBE, the Finis Africae collection, a new title from Bokante, “History,” and the Franklin Boukaka compilation on Fremeaux is already out and very appealing, but one must exercise restraint. Sometimes!

Just remember, “Music will get you through times of no money better than money will get you through times of no music.”

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The fila comp sounding great

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Been listening to this a lot online lately, and then realised I must have sold my original copy. It’s now proudly back in the collection. Production values are off the charts.


Miserable looking turnips though aren’t they, considering how upbeat the music is!?

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Brian Auger - one of the greats!

We put him on in 1971 at what was then Ipswich Civic College, where I was on the entertainment committee. I might have gone to a few classes as well but my academic career was in a serious nosedive by then. Music was the thing for me!

Later, when I lived in SanFrancisco, he was resident in Marin County, just to the north, and regularly played in a lot of the more hippy clubs up there. But I was well punked out by then and never left the city to go see him. My loss.

I was listening to him with Julie Driscoll and The Trinity just on Sunday morning. Fabulous!

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I love this album, every track is a killer.

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It really is.

And sonically it’s a work of art. Such a well produced album.

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Don’t see Professor Longhair in there!

got this guy brand new and cheap. sounds great loud.

also, the new JPYE arrived yesterday, but it doesn’t have a discogs entry yet, so here’s the souncloud clips. lovin’ it so far.

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Bargain Linkwood. Been meaning to check more of his stuff so just copped one. Thanks

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Wasn’t aware of this until I saw an email just now. Sounds great

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Represses coming of these two wonderful albums …

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