Nice. Is that an OG then? I’ve made do with the repress so far.
I’m going to say hopefully with 6 but that Tony Esposito and Arthur Russell records are calling my name.
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Yeh, i had kinda given up on ever getting one but it popped up for a decent price. Still not cheap but less than normal and got few other bits from the same guy to trick myself into thinking it was a good deal.
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Replacing a few early 90s bits I’ve completely trashed down the years
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Soichi comp = 
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These had all been waiting to collect at Phonica & havent managed to get there for a while
Despite it must be over £50 just a paper bag ( I suppose the law) & didnt even say thankyou when handed over
Wished Id got E2E4 off BC but didnt know the 2nd set were going on it
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None of these links are working for me. It’s like they’re just photos of records.
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The paper bag thing I still find weird…
@Apiento - Is E2E4 withdrawn from DL purchases now?
Cant see on TP or BC
Id purposely avoided playing until I got my vinyl copy
I think its the plastic bag law bug they could get sturdier paper ones
I also couldnt buy one as no cash & £5 min spend on card
Just felt very rude allround
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Hey. We can’t sell the downloads. Vinyl only. If you bought the download message me here!!
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Not the last last record I bought, but I’m only sitting down listening to it now. Very good if you like some sort of weird dancehall, new age… Something.
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Nice. Like this.
11 years quit and I still use that “No problem, I’ve got this extra pocket money now” argument/rationale… heh.
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Recent/Decent:
Just arrived in the post.
The Prince Fatty mix is pure fire, the rest of the remixes are, as remix EP’s go, kinda forgettable. So it goes.
I loved Mano Negra back in the day, and later, there was a period where Manu Chao’s “Clandestino” album seemed to be everywhere. I was living and working on Commercial Drive, Vancouver’s hippie/granola/activist mecca at the time and it was the soundtrack: coming out of cafes, vegan eateries, book stores, hemp emporiums. How do you make a room full of college-age hippies happy? Put on “Clandestino”. Every time I hear anything from that album, I smell Nag Champa and weed. It got totally rinsed out, but down the line, reappraisal happened and the album became a perennial summertime favorite.
This single flew under my radar til I stumbled on it on WFMU, and the rest is history.
This arrived in the post too:
I may be dating myself here, but I bought the original 12” single when it came out. Being 14 or so, I thought Max Headroom was way cool. (C-C-C-Catch the Wave! Coke!) I already owned “Beat Box” and especially loved “Close to the Edit” - I still get giddy whenever I see the oddball video by esteemed experimental filmmaker Zbigniew Rybczyński. Chainsaws! Sledgehammers! Piano torture!
Years passed and I eventually saw this tune as a throwaway novelty track to cash in on a fad. Think: Fido Dido. Spuds Mackenzie. “Where’s the Beef?” etc
I heard the album version years later and realized that beneath the talk, it’s a really funky groove. Stumbled on this 12 inch, a redux minus Headroom’s annoying ch-ch-ch-chatter with some extra punchy kicks and percs underneath. It does the job, which is a lot more you could ask for most extended dance remixes of songs from the period.
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Anyone buying from Juno, 10% off with the code VINYL09 until tomorrow night.
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Allright, so i havent gotten it yet. But just ordered this from HHV:
Im terrible intrigued by his music. Its deep but not academic. If that makes sense.
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Just listening to mine that turned up today, sounds so good.
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