New (or old apparently) Skee Mask, nyp
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Adios amigo and thanks for the music. Excellent stuff 
stay well 
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Fotheringay
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Nice! Totem might as well be a download on sight. Been following Leo Zero from afar (here in Wisconsin USA) since the 90s based on mentions in Jockey Slut. Continually impressed. Thatâs the kind of jam that works wonders at my beach spot on the mighty miss a pee pee.
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Thanks for this. So up my street
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Francois K played this absolute beauty in his stream on Sun night - genius (both FK and this track!)
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Fantastic
Many thanks for this! As a big fan of hers, this lead me down a Cleo re-edit rabbit hole on Bandcamp - these were the best of all the ones I found. (pls note - only a few are âname your priceâ)
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Wow, good work ! Any standout favourites?
one that may have passed by your radar on this edit ep - track 3
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Another absolute pearler from Leo.& Justin
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Nabbed this earlier in the week, thanks for putting these guys on my radar, so good 
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Stumbled across a Thai guy called Ekception last night, he does nice floaty edits of Thai rock and pop acts amongst other things, mostly NYP
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Somebody posted the youtube clip of this in âend of the night tunesâ and whaddayaknow - itâs a NYPDN
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thâdog
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Fingerman posted this link to freebie downloads of edits by The Fatback Back, Grace Jones, Suzanne Vega, The Doobies, The Human League, Massive Attack, Depeche Mode and The Happy Mondays
Might come in handy for DJing your office Xmas party
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Brownswood best of 2024.
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New Noda & Wolfers 
And NYP too!
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ibiza soaked
Austin synth trio Dallas Acidâs first of a series of quarantine collaborative albums for charities under the name âDallas Acidâs Bubble Clubâ on their newly launched label Odeon Broadcasting. The first release, âVol I: A Prayer for Peace,â features ambient legends LARAAJI and Ariel Kalma, Bill Callahan, Paz Lenchantin of The Pixies, Rocco DeLuca, Joce Soubiran of Zebulon, Brian DeGraw of Gang Gang Dance, Ivan Berko of Juicy Street NYC and Clint Newsom of Hairy Sands/Flying Moonlight Records.
The album began as a slow, ever-evolving sequence patched together on Dallas Acidâs massive modular synthesizer known as The Brain, serving as the soundtrack for their COVID-19 preparations. As people around the world began to retreat into their own private bubbles, they felt the sequence could be expanded into a larger collaborative piece.
The 35-minute recording was cut into sections and randomly sent to each collaborator âexquisite corpseâ style, so no one knew what the others were playing. As Dallas Acid had hoped, the individual bubbles were magically drawn together into a beautiful, multi-layered, melodic canvas that became bigger than the sum of its individual parts.