Those Little Moments

in a piece of music that get you every time. From the simple introduction of a hi-hat to the subtle change in groove. I am digitising the last part of my record collection, my beloved 45’s, and a couple of these little moments got me thinking.

The Jimmy Castor Bunch - Troglodyte (Cave Man)

The simple little addition of the riff at the end of the bar at 2:24

Roni Griffith - Desire

The synthy organ bit then boom, back in at 1.47

The Mekons - Where were You?

The simple chords. The amazing snare roll. 0.41

Monyaka - Go Deh Yaka (Instrumental)

Could only find the 12" version on YT.

The section from 2:05 when it drops to just the drums and bass

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The minor chords (?) coming in at 3:10 always does something to me - changes the emotional register of the track completely - plus the bit at 5:05 when the singer says ‘shall I do it again’ and he keeps it in

Great idea for a thread btw

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I’ve said it before but the little coda right at the end of Pinball Wizard is just :cook: :pinched_fingers: from 2:46

The little outro guitar solo (not to mention the little bits of reverb from the drum hits) :face_holding_back_tears:

The solo Aziz plays by hitting the harmonics of his Rickenbacker 12. Absolutely gorgeous. At 1:27

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Maybe an obvious one but the one that jumps to mind

Around 2:20-2:28 when they switch the timing of the last line. They do it again later but this first time always feels like they fucked up and pulls my attention to it. I don’t know anything about music theory, but it makes the song so much better and memorable imo

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For some reason the second one that comes to mind is this

Around 0:30 when the bass begins snaking its way up and down, the rhythm of which feels odd but also perfect, and then the timing of the vocal samples. It’s like a massage for the brain.

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am a real sucker for strings that come in about 2/3 of way through and take it to another level

eg Radiohead - Reckoner or Psychemagik - Valley of Paradise (would love to know what Crosby made of it), or the equally beautiful prins thomas remix of kaspar bjorke’s heaven

*as a layman in these things, can any producers on here explain what that is called (if there is a technical term?) or if you were looking for similar, what would your search term be? for music where an orchestral/string element is used to dramatic effect?

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with Mopedbart “hubbabubba…” I mostly remember that pregnant pause! Had to stop listening in the end because it was so overplayed

I’ve always loved this track, and the main reason why is that at 2:53 a little 909 rimshot riff comes in that elevates it so much that it’s a lesson on how details can make good into great.

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I vividly remember hearing Carl Craig’s remix of Relevee for the first time (pretty certain it was an Optimo NYE night at the Fruitmarket). The strings… and then it kicks back in :bomb: CC does it again.

Another big CC fave of mine that has many little moments. Used to play this one out a lot and sounds epic on a good system.

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The Dubb Mix of Dirty Games. From the acapella start to drums and hats coming in, then a little fill and the bassline comes in at 2m03s

That moment always feels like the party’s starting right there.

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That’s the moments that I love the most - a simple change that lifts the groove. I suspect often by happy accident.

The line, ‘you who wish to conquer pain’ is a KO every time.

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Never heard that JSS before, amazing and inspiring stuff, ta!

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Don’t know how to describe it, but the moment at 3.56 where it just takes off.

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The best mix of this classic by some distance imo. The couple of bars of synths before the vocal drops.

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Obviously we’re not going to need to talk about this, or the little pivot at 7:20 that Paperclip People samples, where the whole thing turns from an epic into… an odyssey (what’s bigger than an epic)?

“OK now let’s do the album version”

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Synth and scream on 1:43 <3

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7.40 or so when gets all strings and things then gets going again, sublime.

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Can I have the little sonar blip in Papua New Guinea please Bob?

That :ok_hand::person_tipping_hand:

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It’s this one for me! But they’re all superb

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